File:Iñigo Manglano-Ovalle Cloud Prototype 2003.jpg
Iñigo_Manglano-Ovalle_Cloud_Prototype_2003.jpg (279 × 357 pixels, file size: 71 KB, MIME type: image/jpeg)
Summary[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Cloud Prototype No. 1 (fiberglass, titanium alloy foil, 2003) by Iñigo Manglano-Ovalle. The image illustrates a significant mature period and type of work in Iñigo Manglano-Ovalle's career, his sculptural works using natural forms as metaphors to consider social systems involving science and technology, politics and war. This work often transformed research and data from wide-ranging disciplines (engineering, architecture, genomics, climatology, astrophysics) into technologically sophisticated, minimalist sculptures. This particular work was screened extensively in notable venues and institutions, extensively widely reviewed in journals and press publications by prominent writers, and was the first of a continuing, related body of work. |
|---|---|
| Source |
Artist Iñigo Manglano-Ovalle. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key mature period and type of work in Manglano-Ovalle's practice: his conceptual sculptural works using natural forms as metaphors to consider social systems involving science and technology, politics and war. This work often transformed research and data from wide-ranging disciplines (engineering, architecture, genomics, climatology, astrophysics)—in this case, atmospheric data—into technologically sophisticated, minimalist sculptures. Cloud Prototype No. 1 was the first of his "Prototype" sculptures, which explore liminal, transformative moments between benign and perilous, progress and destruction. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key phase, type of work (minimalist conceptual sculpture) and important work in his career. Manglano-Ovalle's work of this type and this work in particular are discussed in the article and by critics cited in the article, as a representative work of this body of work. |
| Replaceable? |
There is no free equivalent of this key work by Iñigo Manglano-Ovalle, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Iñigo Manglano-Ovalle//en.wikipedia.org/wiki/File:I%C3%B1igo_Manglano-Ovalle_Cloud_Prototype_2003.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 22:28, 22 July 2019 | | 279 × 357 (71 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Iñigo Manglano-Ovalle | Description = ''Cloud Prototype No. 1'' (fiberglass, titanium alloy foil, 2003) by Iñigo Manglano-Ovalle. The image illustrates a significant mature period and type of work in Iñigo Manglano-Ovalle's career, his sculptural works using natural or forms as metaphors to consider social systems involving identity, science and technology, politics and war. This work often trans... |
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